Booking

Email gse@antisleep.com. Don’t be afraid.

• Availability I usually book a few months out, but that changes all the time.
• Recording vs. Mixing About half of my work is mixing tracks that were recorded elsewhere, and I mix most of what I record.
• Studios I’ll record just about anywhere. I always mix at my studio. For recording, my place is great for overdubs but it’s too small to track most full bands. In the Bay Area I love working at Sharkbite Studios. Elsewhere I can help find the right studio.
• Time Records should be made as quickly as possible but no quicker. Bands I work with have made LPs in two days and they’ve also taken much, much longer. I think an ideal timeline for most full-lengths is 8-10 focused days including mixing, but it depends on a lot of variables.
• Travel Sessions I’m down. I love doing these when I can.
• Stems If your project requires alternate mixes, stems, or other archival preparation, that takes time. Let me know up front so we can schedule and budget accordingly.
• Mastering I’m not a mastering engineer; I strongly prefer sending mixes to someone who is. I work with a few ME’s regularly whose work I like a lot.

Rates

$500/day. Tracking or mixing, in any studio.

No Lights // Sharkbite